{"title":"Shoes \u0026 Accessories","description":"\u003cp\u003eThis is the drawer where the small things live, a clasp beside a glove beside a heel, none of them belonging to the same decade. I like them better as a jumble than sorted, honestly. Each piece is attended to carefully before it's packed and sent from Melbourne.\u003c\/p\u003e","products":[{"product_id":"geometry-1960s-black-suede-handbag-newman-sydney","title":"Geometry · 1960s Black Suede Handbag, Newman, Sydney","description":"\u003cp\u003e\u003cstrong\u003eSuede leather · structured handbag · double-spike gold clasp  · \u003cem\u003eNewman\u003c\/em\u003e · made in Sydney · 1960s · approx. 28cm wide, 19cm tall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMatte black suede, clean edges, double handles looped through gold-tone ring-stud fittings, a double-spike clasp that locks with a satisfying click. A structured handbag that holds its silhouette completely. The only decoration is three small brass eyelets set in a row along the top flap: exactly the right amount for a bag of this shape and intention.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNewman\u003c\/em\u003e, made in Sydney, 1960s. The Australian leather goods tradition at its most functional and assured, from the period before domestic manufacture gave way almost entirely to imports. Newman was part of a generation of Sydney craftsmen working in leather who understood that a good bag should outlast its season, that the quality of the construction was the whole argument. The interior is lined in black cotton with a single zipped pocket. \u003c\/p\u003e\n\u003cp\u003eA collector's bag: unmistakably of its decade, beautifully made.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44108984451206,"sku":null,"price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2860copyLarge.jpg?v=1782269405"},{"product_id":"after-dark-boots-uk-1960s-black-knit-beaded-bag","title":"After Dark · Boots UK 1960s Black Knit Beaded Bag","description":"\u003cp\u003e\u003cstrong\u003eWoven knit with jet bugle bead embellishment and loop fringe · wrist purse · Boots Company UK · 1960s · approx. 12cm wide x 15cm tall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJet bugle beads, column upon column, so densely worked across the face of this little wrist bag that the knit ground beneath is almost entirely hidden. At the hem, looped bead fringe that moves when you carry it. This bag does not whisper.\u003c\/p\u003e\n\u003cp\u003eThe\u003cem\u003e Boots Company\u003c\/em\u003e is remembered as the British pharmacy chain, but for a particular decade of the 1960s it read the mood of what women actually wanted to wear out in the evenings, and produced accessories with this kind of finish at a price that meant they didn't have to think twice. There is something quietly political about a beaded evening bag from a chemist: the implicit position being that a woman going to a party should not require a special budget to look magnificent. The fringe agrees.\u003c\/p\u003e\n\u003cp\u003eJet glass bugle beads throughout the body, looped seed bead fringe at the hem. Dense, satisfying weight in the hand.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44108984549510,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2868copy.jpg?v=1782256449"},{"product_id":"compacte-1970s-black-faceted-glass-bead-envelope-clutch","title":"Compacte · 1970s Black Faceted Bead Envelope Clutch","description":"\u003cp\u003e\u003cstrong\u003eFaceted glass bead · fully-beaded envelope clutch · beaded shoulder chain · no label · 1970s · approx. 19cm wide, 13cm tall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA flat envelope clutch covered entirely in small faceted black beads, not a thread of ground fabric visible anywhere, the shoulder chain made from the same beads strung end to end. The facets are what make this more than a plain bead bag: each bead has many cut faces, which means the surface catches light differently at every angle, and the bag shifts from deep black to a kind of dark silver depending on where you are standing.\u003c\/p\u003e\n\u003cp\u003eNo label, 1970s. Fully beaded bags of this kind were produced in workshops across India, Hong Kong, and the Philippines from the 1950s onward, each bead strung or sewn individually, the chain assembled by hand. The labour involved in producing a piece like this is considerable and the result reflects it: a surface with real depth, a weight in the hand that feels like substance, a bag that will look right in sixty more years for the same reason it looked right sixty years ago.\u003c\/p\u003e\n\u003cp\u003eThe beadwork is dense and intact, nothing loose on the surface, the chain sound and functional.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44108985008262,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2869copy.jpg?v=1782256970"},{"product_id":"quicksilver-1970s-silver-sequin-clutch","title":"Quicksilver · 1970s Silver Sequin Clutch","description":"\u003cp\u003e\u003cstrong\u003eSilver round sequins · rectangular silver-tone frame · ball clasp · grey satin lining · no label · 1970s · approx. 22cm wide × 12cm tall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOverlapping round silver sequins, so that the surface shifts and ripples as the bag moves: not a flat mirror but something alive in the light, constantly renegotiating. A silver-tone rectangular frame, a small ball clasp, a grey satin lining. The kind of clutch that changes the room.\u003c\/p\u003e\n\u003cp\u003eNo label, 1970s. The sequin evening bag arrived in full force with the disco era, but this one is from the side of that decade that understood restraint: the frame is architectural, the proportions deliberate, the sequins allowed to do all the talking without any additional decoration. Sequins as a technique are ancient, found in Egyptian burial cloths and medieval church embroideries, but the 1970s industrialised them, made them democratic, put them in the hands of women going out on a Tuesday. The bag looks like water.\u003c\/p\u003e\n\u003cp\u003eUnsigned masterwork in the way that unsigned things often are: made well, kept well, arrived here with its beauty fully intact. Approximately 22cm wide, 12cm tall.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44108985172102,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2875.jpg?v=1782257053"},{"product_id":"scarab-1950s-black-satin-beaded-clutch-gold-hinged-frame","title":"Scarab · 1950s Black Satin Beaded Clutch, Gold Hinged Frame","description":"\u003cp\u003e\u003cstrong\u003eBlack seed bead ground with bugle bead leaf motifs · corded perimeter · gold-tone hinged frame · crystal push-button clasp · black satin lining · no label · 1950s · approx. 20cm wide × 14cm tall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll-over seed bead ground in black, with bugle bead leaf motifs raised across the surface, each leaf built from individual beads laid parallel and close, the whole thing finished at the perimeter with a corded edge. A gold-tone hinged frame, a crystal push-button clasp that clicks with satisfying precision. Black satin inside.\u003c\/p\u003e\n\u003cp\u003eNo label, 1950s. The beaded bag has its own long history in European dress: the jet-beaded mourning reticule of the Victorians, the fringed flapper purse of the 1920s, the structured evening clutch of the mid-century. By the 1950s, workshops in Hong Kong had become the centre of the form, producing pieces of this kind of intricacy for American and European buyers at scale. What none of that changes is the fundamental fact of the work: every bead placed by hand, one at a time, the pattern held in mind, attention absolute. The patience required to build an object like this is a form of authorship that goes unsigned.\u003c\/p\u003e\n\u003cp\u003eA clutch that earns every occasion.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44108985204870,"sku":null,"price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2886.jpg?v=1782257115"},{"product_id":"the-bow-1980s-burgundy-suede-flat-shoes-innovare-italy","title":"The Bow · 1980s Burgundy Suede Flat Shoes, Innovare Italy, AU 6","description":"\u003cp\u003e\u003cstrong\u003eBurgundy suede · gathered organza toe bow · flat sole · \u003cem\u003eInnovare\u003c\/em\u003e · made in Italy · 1980s · AU 6 · EU 37 · UK 4 · US 6\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBurgundy suede, flat sole, a gathered organza bow at the toe cap in the same oxblood-burgundy as the upper. The bow is not a fastening; it is a whole argument for wearing the shoe. It gathers full and soft, the organza having weight to it, sitting at the toe like something a woman pinned there on purpose.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInnovare\u003c\/em\u003e, made in Italy, 1980s. The Italian flat of the 1980s occupied its own category: the decade of the heel also produced its counter-movement, a certain kind of Italian shoe that was architectural and considered without ever being severe. \u003cem\u003eInnovare\u003c\/em\u003e was among the labels working in this register, making shoes that rewarded close attention: the quality of the suede, the precision of the gather, the way the bow matches the upper so exactly it looks grown rather than added. Ballet flats of this construction, from this period, are what Italian craft looked like at its most confident and least showy.\u003c\/p\u003e\n\u003cp\u003eThe shoe that changes an outfit from the ground up.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44108985270406,"sku":null,"price":90.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2887copy.jpg?v=1782265418"},{"product_id":"the-stage-andrea-pfister-1970s-black-satin-heels-eu-38","title":"The Stage · Andrea Pfister 1970s Black Satin Heels, AU 7","description":"\u003cp\u003e\u003cstrong\u003eBlack satin · cone heel · almond toe · bugle bead bow · silver metallic leather insole · \u003cem\u003eAndrea Pfister\u003c\/em\u003e signature · made in Italy · 1970s–1980s · AU 7 · EU 38 · UK 5 · US 7.5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlack satin, cone heel, almond toe, and at the toe cap a bow built from black and silver bugle beads: three-dimensional, dense, rising slightly from the surface with the weight of its own construction. The silver metallic leather insole carries \u003cem\u003eAndrea Pfister's\u003c\/em\u003e signature in script. This is a shoe that announces itself before you have crossed the room.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrea Pfister\u003c\/em\u003e, made in Italy, 1970s to 1980s. Pfister was born in Pesaro and trained in Paris before establishing himself in Florence, where from the 1960s he made shoes that occupied the intersection of fashion and sculpture. His clients included Catherine Deneuve and Lauren Bacall, and his footwear was collected by the Victoria and Albert Museum. What Pfister understood, that a shoe is worn at the furthest possible point from the face and therefore must do its communicating entirely on its own terms, produced shoes of uncommon authority. The bead bow on this shoe is not decorative embellishment applied to a court shoe; it is the reason the court shoe exists.\u003c\/p\u003e\n\u003cp\u003eThe shoe you wear when the occasion has to rise to meet you.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44108990087302,"sku":null,"price":250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2904copy.jpg?v=1782266767"},{"product_id":"pavimento-taranto-by-opat-1960s-gunmetal-kitten-heels","title":"Pavimento · Taranto by Opat 1960s Gunmetal Kitten Heels, AU 8","description":"\u003cp\u003e\u003cstrong\u003eGunmetal crinkled textile · short stacked heel · ornamental square buckle · Taranto by Opat Bros · made in Melbourne · 1960s · AU 8 · EU 39 · UK 6 · US 8\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGunmetal crinkled textile upper, a very short stacked heel, and at the vamp a square ornamental buckle set low and perpendicular to the foot. The buckle does not fasten anything; it simply declares itself. The upper material catches the light like watered silk, textured without being coarse, grey without being flat.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTaranto by Opat Bros Pty Ltd\u003c\/em\u003e, Melbourne, 1960s. The Opat Brothers were among Melbourne's significant mid-century shoe manufacturers, working through the period when Australian leather goods were still made here, when a shoe could be local and also beautiful. The \u003cem\u003eTaranto \u003c\/em\u003eline sat in the formal register without quite being occasion wear, the kind of shoe that finished a good outfit rather than competing with it. The buckle detail is the whole personality: a piece of jewellery incorporated into the structure, doing nothing functional, communicating everything.\u003c\/p\u003e\n\u003cp\u003eA shoe that knows precisely what it is.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44108990152838,"sku":null,"price":170.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2914copy.jpg?v=1782266807"},{"product_id":"the-fold-1980s-90s-black-leather-ankle-boots-tosone","title":"The Fold · 1980s-90s Black Leather Ankle Boots, Tosone, AU 9","description":"\u003cp\u003e\u003cstrong\u003eButter-soft black leather · folded tongue · knotted leather cord detail · inner silver zip · red pebble rubber sole · \u003cem\u003eTosone\u003c\/em\u003e · made in Italy · late 1980s to early 1990s · AU 9 · EU 40 · UK 7 · US 9\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eButter-soft black leather, calf height, with a wide tongue that folds across the front and is held in place by two knotted black leather cords threaded through eyelets. The cords are not laces in the conventional sense; they are part of the architecture, thick and purposeful, ending in small gathered knots. An inner silver zip at the ankle closes the whole thing from beneath the fold.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTosone\u003c\/em\u003e, late 1980s to early 1990s. The Italian leather boot of this period operated in a particular grammar: serious construction, minimal decoration, every detail load-bearing. The folded tongue and knotted cord are not decoration added to a plain boot; they are the boot's entire identity, a structural move that happens also to be beautiful. \u003cem\u003eTosone\u003c\/em\u003e worked in exactly this register: shoes made to be worn seriously by people who paid attention. The leather is the kind that softens to the foot rather than resisting it. The red pebble rubber sole is the one note of colour, and it is correct.\u003c\/p\u003e\n\u003cp\u003eThe boot that asks nothing of its wearer except to walk.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44108990218374,"sku":null,"price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2925copy.jpg?v=1782266911"},{"product_id":"grenoble-white-1950s-cream-kid-leather-opera-gloves-size-6","title":"Grenoble White · 1950s Cream Kid Leather Opera Gloves, Size 6¼","description":"\u003cp\u003e\u003cstrong\u003eIvory kid leather · mousquetaire evening gloves · five-line point stitching · three mother-of-pearl buttons · made in France · 1950s · size 6¼ · length approx. 40cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIvory kid leather, mousquetaire length, with three mother-of-pearl buttons at the wrist and five lines of point stitching drawn across the back of the hand in perfect parallel. Kid leather this fine has a suede-matte surface that holds the light differently from every angle, pale as unbleached linen, cool to the touch as still water.\u003c\/p\u003e\n\u003cp\u003eThe mousquetaire glove, long past the elbow, belongs to the grammar of Continental evening dress. French glovework of the 1950s was among the finest in the world: the tanning of kid, the fitting to a numbered last, the finishing by hand, these were trades passed down in family workshops in Millau and Grenoble and a handful of other towns where nothing about the work had changed much since the eighteenth century. Point de Paris stitching in this number and spacing is not a flourish but a signature, the way a maker says: here, this is who I am. The word ganterie covers all of it but translates only to \"glove-making,\" which is not quite enough.\u003c\/p\u003e\n\u003cp\u003eMade in France, 1950s. Size 6¼. Length approximately 40cm. A pair of gloves that understand formality as something one does with the whole arm.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44108990349446,"sku":null,"price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2942.jpg?v=1782266917"},{"product_id":"pin-noir-2000s-black-satin-rose-corsage-o-jay","title":"Pin Noir · 2000s Black Satin Rose Corsage, O-JAY","description":"\u003cp\u003e\u003cstrong\u003eBlack poly cloth cabbage rose · bar pin · felt backing · OJAY · 2000s · approx. 12cm diameter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA black cabbage rose, large as a fist, made from iridescent cloth petals that hold their position exactly as you set them. The stem ends in a bar pin with a felt backing, and the whole thing has the particular density of a bloom that has been thought about.  Black flowers carry something roses in other colours do not.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOJAY,\u003c\/em\u003e 2000s. The corsage as a form predates this piece by about a century, but the 2000s brought a revival of the flower brooch as something intentional rather than ironic, pinned at the collar or lapel or shoulder with the same confidence as an antique cameo. A well-made fabric rose of this size and construction belongs to the tradition of millinery flowers, where craft workers spent whole days making individual petals from wired silk or organza, shading them by hand. This one is poly cloth and a 2000s manufacturer and yet it has the same intention: to put a flower where a person decides to put a flower, and that being enough of a reason.\u003c\/p\u003e\n\u003cp\u003eThe rose for someone who knows what they want to say when they walk in.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44108995559558,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2954copy.jpg?v=1782266920"},{"product_id":"first-wear-kolotex-1960s-15-denier-seamless-nylons-original-box","title":"First Wear · Kolotex 1960s 15-Denier Seamless Nylons, Original Box","description":"\u003cp\u003e\u003cstrong\u003e15-denier seamless mesh nylon · Trikolon yarn · Kolotex Clings · made in Australia · 1960s · SOLERO shade · marked 8.5-9 vintage sizing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe box has the poodle on it. Inside, the stockings are still in their original Trikolon-yarn gold foil wrapper, sealed and unworn, a pale tan waiting in cardboard since the 1960s. There is something deeply satisfying about deadstock hosiery: the thing made to be used up and discarded, sitting here sixty years later in its original packaging, entirely intact.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKolotex Clings,\u003c\/em\u003e made in Australia, 1960s. The Leichhardt factory at the height of its seamless nylon range, when Australian hosiery manufacturing was a serious industry and the word Trikolon on the packet meant something about the quality of the knit. Seamless construction was the technical achievement of the era, eliminating the back seam that had defined sheer stockings since the 1920s.\u003c\/p\u003e\n\u003cp\u003eThe box is well-worn from storage. The foil inside is intact. \u003cem\u003eSOLERO\u003c\/em\u003e shade, marked 8.5 to 9 in the vintage sizing of the period.\u003c\/p\u003e\n\u003cp\u003eA complete object. The box alone is worth something.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44108999655558,"sku":null,"price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2955.jpg?v=1782267052"},{"product_id":"command-1970s-black-satin-sequin-evening-belt","title":"Command · 1970s Black Satin Sequin Evening Belt","description":"\u003cp\u003e\u003cstrong\u003eBlack satin · disc sequin wave pattern · silver bugle bead border · no label · 1970s · approx. 8cm wide · hidden velcro closure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe entire outer surface of this curved belt is worked in overlapping black disc sequins arranged in a wave pattern, and both long edges are bordered with a standing row of silver bugle beads, each one set perpendicular to the surface so they catch light at a different angle from the sequins behind them. The effect is layered, dimensional, and deeply beautiful.\u003c\/p\u003e\n\u003cp\u003eNo label, 1970s. The decade that understood that a wide belt was not merely a functional object but a statement about where the waist was, and what it deserved. Sequinned evening belts like this were made for the disco era but designed to outlast it: the construction is too considered, the materials too substantial for a piece intended only for one season. A hidden velcro closure keeps it secure at the inner edge. The kind of belt that changes what you are wearing.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44109002965126,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_3617.jpg?v=1784613163"},{"product_id":"forget-me-not-innes-wichita-1940s-blue-flower-hat","title":"Forget-Me-Not · Innes Wichita 1940s Blue Flower Hat","description":"\u003cp\u003e\u003cstrong\u003eFabric flowers on straw base · velvet bow · blue floral net lining · cornflower grosgrain inner band · \u003cem\u003eInnes, Wichita\u003c\/em\u003e · 1940s to early 1950s\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA dome covered entirely with small fabric flowers, each one individually attached, their petals edge-cut, each centre a small cluster of blue stamens. The colour is cornflower: a clear, mid blue that runs absolutely consistent from petal to petal across the whole surface. A wide velvet bow sits at one side. This hat required considerable patience.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInnes, Wichita\u003c\/em\u003e, 1940s to early 1950s. Mid-century American millinery produced hats of extraordinary imaginative range: the flower hat, the veil hat, the sculptural wool felt, all of them made in an era when a woman was expected to have a hat for every occasion and the milliners obliged. Flowers like these were made in workrooms by hand, petal by petal, each one heated and pressed into shape before attachment. The flowers on this hat are in extraordinary condition for a piece of this age, their colour intact and petals unbroken, the result of a hatbox and careful keeping.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44109008633990,"sku":null,"price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_2998.jpg?v=1782267182"},{"product_id":"never-walked-1980s-90s-deadstock-vinyl-baby-mary-janes","title":"Never Walked · 1980s Deadstock Vinyl Baby Mary Janes","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eVinyl · cotton piping trim · plastic button strap · punched brogue toe · deadstock, original packaging · unsigned, no size marked · 1980s · 11.5cm length · 5cm ball width · never worn\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThese have never touched a floor. They came to the archive still sealed in their original blister pack, gold card backing intact, the plastic crumpled slightly with age but the shoes inside untouched by a single step.\u003c\/p\u003e\n\u003cp\u003eThere is no brand on the card and no size marked on the sole, the kind of anonymous, mass-produced deadstock that turns up occasionally from a shop's old stockroom rather than a family's keepsake box. The vinyl upper, the punched brogue-style perforations at the toe, and the plastic button strap are all typical of the cheerful, easy-care baby shoes sold through department stores in the 1980s, built to be practical rather than precious.\u003c\/p\u003e\n\u003cp\u003eLook at the toe, punched through in a scalloped brogue pattern that would have taken a machine seconds and a human eye none at all to appreciate. Cotton piping edges the strap and collar, a small softening touch. The white cotton edging has softened slightly with age into something closer to bone, honest for a piece this old, never worn.\u003c\/p\u003e","brand":"caitiedid","offers":[{"title":"Default Title","offer_id":44175493693574,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/5960\/8966\/files\/DSC_3661.jpg?v=1784617564"}],"url":"https:\/\/checkout.caitiedid.shop\/collections\/collections-vintage-shoes-accessories.oembed","provider":"caitiedid","version":"1.0","type":"link"}